Each decorated in enamels and gilt, the first a baluster vase with a continuous band enclosing a feast scene from the Nisemurasaki showing a 'false' Prince Genji regaled by several attendants from a restaurant bringing trays of delicacies, between bands of seasonal blooms growing from behind a latticed fence, signed on the base Kizan kore o tsukuru, ; the second a slender cylindrical vase with three lobed panels depicting a wakashu flanked by two courtesans above sparrows flying towards flowering lilies and bamboo, the third panel enclosing an outdoor scene of a wealthy family enjoying momijimi (maple-viewing), signed on the base Kyoto Tojiki Goshigaisha within a seal above a gilt signature Ryozan, ; the third a trumpet-shape vase with bands of rakan, a middle-class family in an interior, and warriors discussing battle tactics in front of a jinmaku (war curtain), ; the last a bowl decorated with a profusion of dense blooms of peony, morning glory and chrysanthemums extending over the exterior, stopping short of the foot, signed on the base Hotoda, ; with a wood stand. (5).