cast as a manifestation of Avalokitesvara, the bodhisattva Padmapani depicted standing sturdily against a flame-shaped mandorla bordered with flames on a domed base supported on a four-legged plinth, the majestic figure depicted bending his right elbow and holding a long undulating stem extending upward and bearing a large lotus bud, clad in a dhoti cascading in folds over the knees with a long scarf draped over the shoulders and upper arms, the left hand rendered holding one billowing end of the scarf, the serene expression framed by a crown and a circular halo of radiating petals on the mandorla, the reverse of the mandorla incised with a Buddha seated on a lotus base against a mandorla, the splayed right side and reverse of the plinth with a dedicatory inscription dated to the twentieth day of the eleventh month of the second year of the Wuding period (in accordance with 544), which can be translated as 'Guo Shantan from Quyang patronising a figure'.