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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 8, 2019 | Sotheby's | Hong Kong | An Enamelled Jewel The Le Cong Tang Collection | 1 | $****** - ****** | A HIGHLY IMPORTANT AND SUPERBLY PAINTED BEIJING ENAMEL FALANGCAI POUCH-SHAPED GLASS VASEBLUE ENAMEL MARK AND PERIOD OF QIANLONG |
other
18.2 cm (7.17 in)
Collection of Yixin, the first Prince Gong (1833-1898), by repute.
Collection of Abel W. Bahr (1877-1959), Shanghai.
Collection of Paul (1902-1987) and Helen Bernat, Brookline, Greater Boston, Mass.
Sotheby's Hong Kong, 15th November 1988, lot 75.
Sotheby's Hong Kong, 29th October 2000, lot 2.
Qingwan Yaji nianzhou nianqing shouzang zhan/Ching Wan Society Twentieth Anniversary Exhibition. Works of Art, Taipei, 2012, cat. no. 73.
Sotheby’s Hong Kong – Twenty Years, 1973-1993, Hong Kong, 1993, pl. 430.
Sotheby’s. Thirty Years in Hong Kong, Hong Kong, 2003, pl. 439.
Geng Baochang, ‘Ya qi tian cheng/Qingwan Yaji zhencang taociqi duoying [Refined works made in Heaven. Highlights of ceramics collected in the Ching Wan Society]’, Ching Wan Society Twentieth Anniversary Exhibition. Works of Art, Taipei, 2012, p. 15, no. 73 (detail).
masterfully conjured by the most dexterous craftsmen in the Imperial Workshops under the direct mandate from the Emperor, the immaculate glass charmingly modelled in the form of a ribbon-tied pouch, its ovoid body carved with vertical ribs simulating textile pleats, elegantly tapering to a fluted neck and ruffled rim, wreathed by a twisted soft-pink sash fastened into an off-centred knotted ribbon suspending two flowing tassels, exquisitely painted on each side depicting a phoenix gracefully swooping from cascading pink and lavender-blue clouds amid peonies, their bodies covered in flamboyant plumage individually picked out in shades of pink, green, yellow, blue and aubergine and gilding, their nimble wings outstretched to reveal the fluffy pinkish-white feathers on the underside of their bodies, extending to a trailing two-feathered tail in matching colours patterned with circular motifs, their crested heads supported on long necks with billowing plumes, curling backwards towards a cluster of frilly-edged peony blooms, the realistically painted flowers rendered in shades of rose-pink and aubergine, supported on stems with abundant foliage in two shades of green, the blue-enamelled four-character reign mark cleverly enclosed within a budding bloom, the fluted neck embellished with dianthus florets suspending jewelled pendants, all reserved on an imperial yellow ground save for the interior and base exposing the translucent vitreous material
