Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 11, 2017 | Bonhams | London | Fine Japanese Art | 91 | $****** - ****** | A gold-lacquer Shibayama-inlaid three-case inro |
other
10 x 7.5 cm (3.94 x 2.95 in)
The vertical octagonal-sided body with a kinji ground decorated in gold takamaki-e, e-nashiji, coloured gold hiramaki-e and typical Shibayama inlay with an old woman carrying her grandson on her back in front of a large statue of Enma-o, a large lantern inscribed Man'ninko chu (Buddhist sermon for the masses in progress) suspended above in the right corner, the reverse similarly inlaid with a mother teaching her child how to spin a mawari-toro (rotating cylindrical shadow lantern) showing a silhouette of boar hunters on horseback, the sides, top and base of okibirame, the interior of rich nashiji, unsigned; with a gold-lacquer two-part manju netsuke embellished with flower arrangment in a vase and stalks of cut irises on a tray in the foreground, signed in a red-lacquer rectangular reserve Shibayama and a cloisonné-enamel ojime, unsigned.
