superbly potted with a baluster body rising from a countersunk base to a tall waisted neck and galleried rim, the neck meticulously and elaborately decorated with a pendent ruyi border shaded in tones of grisaille, the border rendered suspending pearl strings whimsically enamelled with reflecting highlights to simulate three-dimensionality, depicted attached with auspicious emblems, including the 'double fish', 'good luck' talismans and musical stones, as well as stylised luxuriant floral blooms and Rococo-inspired undulating acanthus leaves with feathery fronds, all against a brilliant yellow ground neatly diapered with twelve-sided polygons, the lower section of the body ingeniously modelled with a celadon-reticulated wall of kui dragons and archaistic phoenix emphasised with gilt borders, framing four evenly spaced gilt-rimmed medallions exceptionally carved in relief with dynamic scenes of different fishes, the celadon-glazed reticulated shell revealing an inner vase decorated in shaded tones of underglaze blue with a composite floral scroll reminiscent of early Ming blue and white porcelains, the lower section of the vase bordered with two green-ground bands enclosing iron-red kui dragons, above a yellow-ground frieze of an opulent composite floral scroll, all between two key-fret bands encircling the rim and foot, the base enamelled turquoise and centred with a blue-enamel six-character seal mark within a double square