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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 30, 2020 | Christie's | London | Classic Art Evening Sale: Antiquity to 20th Century | 33 | $****** - ****** | A REGENCY MAHOGANY AND PARCEL-GILT DESK |
other
76.8 x 120 x 67.3 cm (30.25 x 47.25 x 26.5 in)
Frederick Howard, 5th Earl of Carlisle (1748-1825) at Castle Howard, Yorkshire.
Sir Philip Sassoon, recorded in the drawing room at Port Lympne, Kent, in 1923.
'A table executed for the Earl of Carlisle at Castle Howard’, from ‘A Collection of manuscript Drawings’ by Tatham, dated 1800, Victoria and Albert Museum, Prints & Drawings, E.1311.170-2001.
‘Port Lympne – II. Kent’: The Residence of Sir Philip Sassoon’, Country Life, 26 May 1923, p. 719, figs. 10 and 11.
P. Griffiths, The History of Port Lympne Mansion and Gardens, London, n.d. (but probably published in the 1960s), p. 3.
J.S. Curl, The Egyptian Revival: An Introduction Study of a Recurring Theme in the History of Taste, London, 1982, p. 106.
J. Cornforth, The Search for a Style: Country Life and Architecture, 1897-1935, London, 1988, pp. 192, 193, pl. 180.
J.S. Curl, Egyptomania. The Egyptian Revival: a Recurring Theme in the History of Taste, Manchester and New York, 1994, p. 111.
T. Buckrell Pos, ‘Tatham and Italy: Influences on English Neo-classical Design’, Furniture History, vol. 38, 2002, p. 81, f/n 62.
J.S. Curl, The Egyptian Revival: Ancient Egypt as the Inspiration for Design Motifs in the West, London and New York, 2005, pp. 189-192, and plate 92.
COMPARATIVE LITERATURE
C.H. Tatham, The Gallery at Castle Howard in Yorkshire, The Seat of the Earl of Carlisle, K.G., London, 1811.
S. Pearce, F. Salmon, C.H. Tatham, ‘Charles Heathcote Tatham in Italy, 1794-96: Letters, Drawings and Fragments, and part of an Autobiography’, The Walpole Society, vol. LXVII, 2005.
J. Goodison, ‘Thomas Chippendale the Younger at Stourhead’, Furniture History, vol. 41, 2005, p. 60; plates 92, 102, 119.
Of rectangular form with cut corners, the original red leather-lined top above a working drawer to one side and to the other a blind drawer flanked by gilt pilasters in the Egyptian taste, reeded, and with hieroglyphs and surmounted by Egyptian masks, each side with bands of fluting centred by a large brass ring handle and carved sunburst device, the lock with red painted ‘40481’, the drawer lining red painted ‘40481’ three times, brass anti-friction castors, batten-carrying holes
