Comprising two models of Amida Buddha seated in meditation with his hands in dhyana mudra in the front, the face with crisply delineated features framed by a coiffure of small curls covering a low usnisha fronted by a secondary urna, one signed with a red-lacquer reserve Toshiyuki/Shushi and with details inlaid with shell, ; the second ; the third of a kneeling rakan lifting over his head a basket containing a Chinese deity and child, a hossu (fly whisk), tucked into his belt behind, with shell-inlaid details, signed on the base within a red-lacquer reserve Masachika, ; the fourth of Sanfushi Sennin standing with hands crossed on an upturned parasol floating over water, with shell-inlaid details, signed [...] haru, ; the fifth of Benkei dressed as a Yamabushi priest holding an oi (travelling pack) containing scrolls strapped to his back and trying to subdue two warriors by trampling one underfoot and grabbing the second by his neck, unsigned, ; the sixth of a rat catcher lying down with an agonised expression as he presses down on a trap from which a rat has just escaped, a tasselled kayoi-cho (accounts book) lying over the man's leg, unsigned, ; the seventh probably of Hattara Sonja, standing, wearing a wide-brimmed straw hat and a loose robe, open at his emaciated chest, a tiger standing at his feet, fixed on a wood stand, unsigned, ; the eighth of Shakyamuni, standing with a ferocious concentrated contenance of staring eyes and knotted brows during his period of austerities, clutching his robes to cover his emaciated body, unsigned, ; with seven separate, unassociated wood stands. (15).