We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Mar 22, 2017 | Christie's | London | Robert de Balkany Rome & the Côte d'Azur | 572 | $****** - ****** | A LATE LOUIS XVI ORMOLU-MOUNTED EBONY AND BRASS-INLAID TORTOISESHELL 'BOULLE' MARQUETRY QUARTER-STRIKING CLOCK ON PEDESTAL |
other
Lydie d'Harcourt, marquise de Pomereu.
The Property of a Lady of Title; sold Christie's, London, 2 July 1981, lot 44.
The Exceptional Sale; sold Christie's, London, 7 July 2011, lot 27.
'Realités', July 1954, p. 43.
Connaissance des Arts, Le XVIIIe Siècle Français, Paris, 1956, p. 195.
G. de Bellaigue, James A. de Rothschild Collection, Catalogue I, London, 1974, p. 48.
The waisted case surmounted by a figure of Diana above a recumbent figure of Chronos, on a Louis XVI pedestal and plinth, the gilt-brass dial with outer minute ring, white enamel chapters, the centre signed 'Le Bon A Paris', with recessed seconds ring bisecting a further inner concentric minute ring engraved 'Mouvement Vray Aparent de la Pendule', the minute hand applied with a calibrated disc engraved 'Mouvement Vray de la Pendule', the later associated movement, probably 19th Century, the plates joined by six pillars, weight-driven time train with anchor escapement, going barrels for the hour and quarter trains, with countwheels to back plate signed 'LE BON A PARIS', with hour strike to bell and quarter strike on two further bells above, replaced gridiron pendulum
