one side meticulously modelled after Wang Xianzhi's Zhongqiu tie (Mid Autumn manuscript), skilfully worked and gilt-inscribed to imitate the swift and powerful brushwork of the original manuscript, beginning with Jin Wang Xianzhi shu followed by the twenty-two characters in cursive script divided into four columns, interspersed with thirteen seal marks, including Shenpin, Xuanhe, Yushu, Guangrendian and two reading Sanxitang and another two Shaoxing, the left side of the screen inscribed with an imperial poem by the Qianlong Emperor in praise of the manuscript, dated to the bingyin year of the Qianlong reign (in accordance with 1746), and followed by two seal marks reading Qian and Long respectively, the reverse with an excerpt from Luoshen fu (Ode to the Goddess of the Luo River) by Cao Zhi from the Three Kingdoms period, each side framed within a shaped border enclosing angular scrollwork intertwined with scrolling foliage, the lustrous substantial stone of a pale celadon colour mottled with icy inclusions