Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 14, 2022 | Sotheby's | New York | Modern Evening Auction | 125 | $****** - ****** | Caroline |
paintings
91.4 x 71.1 cm (36 x 28 in)
oil on canvas
signed Alberto Giacometti and dated 1962 (lower right)
Pierre Matisse Gallery, New York
Mr. and Mrs. Henry Markus, New York (acquired by 1965)
Sotheby's, New York, 11 May 1987, lot 92 (consigned by the estate of the above)
Aberbach Fine Art, New York (acquired at the above sale)
Galerie Jan Krugier, Geneva
Galerie Beyeler, Basel (acquired by 1989)
Private Collection, Switzerland (acquired by 1991)
Ivor Braka, Ltd., London
Acquired from the above on 14 September 2000 by the present owner
Venice, Biennale di Venezia, Alberto Giacometti , 1962, no. 37
Zurich, Kunsthaus, Alberto Giacometti , 1962‐63 (not listed in catalogue)
New York, The Museum of Modern Art; Art Institute of Chicago; Los Angeles County Museum of Art and San Francisco Museum of Art, Alberto Giacometti , 1965‐66, no. 103, p. 117
Basel, Galerie Beyeler, L' Eternel féminin , 1988‐89, no. 24
Saint‐Paul‐de‐Vence, Fondation Maeght, L'Oeuvre ultime de Cézanne à Dubuffet , 1989, no. 102, p. 227, illustrated in color
Basel, Galerie Beyeler, Alberto Giacometti , 1990, no. 58, p. 107, illustrated in color
Madrid, Museo Nacional Centro de Arte Reina Sofia, Alberto Giacometti-Esculturas, Pinturas y Dibujo , 1990‐91, no. 297, p. 635, illustrated in color
Paris, Musée d'Art Moderne de la Ville de Paris, Alberto Giacometti. Sculptures, peinture, dessins , 1991‐92, no. 266, p. 361, illustrated in color
Tampere, Finland, Sara Hildénin Taidemuseo, Alberto Giacometti , 1992, p. 164, illustrated in color
Vienna, Kunsthalle; Edinburgh, Scottish National Gallery of Modern Art; London, Royal Academy of Art, Alberto Giacometti 1901‐1966 , 1996‐97, no. 231, pl. 74, illustrated in color; p. 189, illustrated (Edinburgh and London); no. 235, p. 335, illustrated in color (Vienna)
Montreal, Musée des Beaux‐Arts de Montréal, Alberto Giacometti , 1998, no. 100, pl. 50 and p. 74, illustrated in color
New York, The Museum of Modern Art and Kunsthaus Zurich, Alberto Giacometti , 2001‐02, no. 181, p. 243, illustrated in color
London, National Portrait Gallery, Giacometti Pure Presence , 2015‐16, no. 58, p. 168, illustrated in color
James Lord, Dessins d'Alberto Giacometti , Paris, 1971, n.p., illustrated
Property from an Important Private Collector
Alberto Giacometti
1901 - 1966
Caroline
signed Alberto Giacometti and dated 1962 (lower right)
oil on canvas
36 by 28 in. 91.4 by 71.1 cm.
Executed in 1962.
The authenticity of this work has been confirmed by the Comité Giacometti and it is recorded in the Alberto Giacometti database as AGD 766.
