thinly potted with a tapering ovoid body rising to a waisted neck below a metal-mounted rim, vibrantly enamelled in brilliant shades of pink, blue, green, white and yellow with a continuous scene depicting Xiwangmu, Queen Mother of the West, riding on a bearded lion on a lotus leaf, accompanied by two female attendants, one greeting her with a double gourd emitting a heavenly pavilion and the other with a wrapped vase beside a basket of flowers, next to a peacock looking up at a monkey holding a large peach in the clouds, near three other standing maidens, one holding a fly whisk standing on a bamboo instrument, one pointing at the monkey standing on a double gourd, and one holding an elaborate peacock feather fan standing on a butterfly, all above white-enamelled crested waves, inscribed with a three-character title Xian shou tu (Birthday Presentation Picture) and a seal reading wo yue (reclining on the moon), followed by an eighteen-character inscription dated to the gengxu year (in accordance with 1730) followed by a two-character seal inscription qi yun (nestling among clouds)